Monday, May 2, 2016

Final Group Review Group 2

Katherine Hancock, Christal Scott, Kayla Chavis, Jonathan Clarke, Malik Thompson
Final Group Review
May 2, 2016
History 105.05

            From slavery to reconstruction, to the Harlem Renaissance to the Civil Rights period, and from then until today, the identity of the African descendant has changed drastically over time. This change has been produced by the ill treatment of the community as a whole, and living in a society where the Negro is considered a second-class citizen. Through oppression, however, black identity will find ways to break through, because it always has.
The black identity in America begins with the history of slavery. The slave was identified as property by the slaveholders; therefore, slaves were stripped of an identity completely. Legislation and court had molded a false identity for black slaves. Cases like the State of Missouri v. Celia and George v. State established that there would be no protection of black female slaves against rape. This had caused the black woman to be identified with lasciviousness.
Black people would also be falsely identified with being criminals thanks to the Fugitive Slaves Laws. These had pronounced the slave as living property; therefore, if a slave ran away they were a criminal for life. The dehumanization and diversity of the slave would also influence the identity of early black lives in America. With the Three-Fifths Compromise, the government had degraded the black slave to three-fifths of a human, stealing their humanity from them. The experience in slavery had impacted each slave and former slave’s identity differently. “Owners dictated where and how the slaves lived, how they worked and played, and with whom they associated. Slaves learned this fact early in their lives, and their owners never let them forget it.”[1] Each character from Toni Morrison’s Beloved experienced something different during slavery that had stunted the formation of their identity. Their identities had been tainted with the false perception that slavery had labeled them. Slaveholders had used their authority as justification for the torment and suffering that has unfortunately defined early black life in America.
            The next major time period for African Americans was the Reconstruction period, which was after the Emancipation Proclamation and the passage of the Thirteenth Amendment, spanning from about 1866 to 1877. African Americans were no longer legal property; however, white society continued to treat them as second class humans because of the Black Codes, which were laws that limited black peoples’ agencies and opportunities (such as economic and job-wise). Though black people were able to gain a new identity other than that of property, it was still hard to feel like completely free individuals because the class of Southern white elites reconstructed society to place African Americans underneath them.
Community identity shifted as early as Emancipation Day, when ex-slaves gathered to celebrate the formal end of their legalized bondage. However, the irony of such celebrations and memorials shows how the community still felt the oppression of a constrictive white society. As said in Envisioning Emapncipation, “Images of Emancipation Day celebrations and ‘slave reunions’ stand out, both for the ways in which they directly engage the history of slavery and freedom and for the ways they veil or obscure elements of that history.”[2] The freedom that black people celebrated was paradoxical because they were still very constrained by white society. Additionally, white society was made out to be the benevolent figure in the freedom of slaves, not the force that failed to recognize the basic human right of all people. That is shown by a picture in Envisioning Emancipation where a black child is photographed before and after emancipation. Before and after Proclamation pictures of an African American boy show him “obligingly performing the appropriate responses for the intended Southern audience.”[3] These sources show that the identity of black people was still manipulated by the oppression of whites, although they were no longer property. However, this freedom was the first step for black people to find an identity outside of white control.
In 1917, the United States entered what would become known as World War 1. Thousands of African American men volunteered to defend and die for a country that viewed them as second-class citizens. During the war, European immigration virtually ceased and northern industries needed unskilled labor for their factories. The American south after reconstruction was a terrible place for African Americans. Between Jim Crow laws and the rise of the KKK, the south was a violent and dangerous place for blacks.
After Reconstruction, a rebirth in black culture sparked the Harlem Renaissance. When blacks arrived in the city, they were not welcomed with open arms. They were corralled into ghettos, most notably Harlem in New York, and surrounded by white people who though blacks were there to take their jobs. They reacted negatively and sometimes violently. In order to combat the negative stereotypes presented in the media, African Americans came together and created their own institutions, music, art, literature, and theatre. This cultural movement would later be called the Harlem Renaissance.
The Harlem Renaissance created a racial pride within the African American community that had never been seen before. Pride in the community fomented thanks to black cultural icons such as Louis Armstrong, Jessie Redmond Fauset, Langston Hughes, and Josephine Baker. African American children had black role models to look up to. This is something they had really not had before. A term often used in conversation about the Harlem Renaissance is the New Negro. The New Negro had left the southern life for the northern, the rural life to urban, and the uneducated life for the educated. The racial pride created in this movement was the catalyst for the civil rights movement.
Identity shifts within the Civil Rights era began to reach an all-time high. Those that were away serving the country came back in the mindset that things would be different for the African American community. Stereotypes continued to be the main ammo for the white community in order to maintain their segregated traditions. From the enslavement era, stereotypes went from being broad assumptions of the black community being inferior to more specific accusations of the New Negro that asserted his or her autonomy such as lazy, uneducated, and unmotivated. To white society, African Americans had quickly gone from hard working, sturdy, and strong pieces of property to a populace that did not work for what they wanted. As we continue through this era, we also begin to see this stereotype shift of the African American community within the realm of housing. The black community began to have new tags on themselves, by being identified as a people that tend to cause trouble and who wanted to threaten what white society had already claimed.
Racial discrimination began to increase within the housing market rapidly. Not only did it place a new way to view African Americans, but it also shifted the identity of white America as well in retrospect of violence. It seemed that the more the African American population gained some form of autonomy, the more violent the white community grew. African American identity shifted even more when it came to education and equality in the social dynamics, because the face for the fight for equality became very youthful. College students began protesting and forming sit ins to speak up for themselves and the rest of their people, giving off an image that they will no longer tolerate this negative identity that they have been given since the beginning of time. The youth were setting a new identity of empowerment and fight within the African American community then and now.
Tracing through African American history and the progression through slavery, segregation and several other forms of institutional nation wide racism gives a comprehensive bird’s eye view. What this view lacks is the Black experience through the trauma, and the genuine psychological and mental impact that this system has on the people. Those aspects are largely overlooked as parts of this systemic oppressive system that we confront on a daily basis. The willful ignorance to the magnitude of this pain is perpetuated by people of all races because understanding our history is a painful and exhausting process. Honest conversations about the past are evidently difficult to manage, yet when writers such as Kiese Laymon and Toni Morrison can create a brutal and honest imagery there leaves choice but to confront the discomfort. Laymon’s How to Slowly Kill Yourself and Others in America was intended to break the stereotypical literary trends in order to draw attention to the aspects of modern day racism from a perspective that is less well understood. “I wanted to explore the benefits and burdens of being born a black boy in America without the predictable literary rigidity.”[4] Throughout his book one of the essential points is that racism is a part of daily life and that has to be accepted as an African American, the next step is how to deal with it. Today we understand that we have made much progress from times that Morrison has written about because we do not walk around with the physical scars of slavery on our backs. However the weight of slavery is still a very real burden today, which proves that there is more uphill battle before equality is achieved.
The African American identity has always been a very difficult term to define because of it’s internal duality and also the many conflicting views and opinions on the matter. We can understand how the term and the people have progressed through the different forms of struggle and oppression placed on the group. Yet the difficulty of accepting the harsh realities of the past is an essential step, of many more to be made, in order to achieve equality for a group of people who have never had any form of firmly established liberty in this country.




[1] Berlin, Ira, Marc Favreau, and Steven F. Miller, Remembering Slavery: African Americans Talk about Their Personal Experiences of Slavery and Emancipation (New York: New, 1998), 3.

[2] [2] Willis, Deborah, and Barbara Krauthamer. Envisioning Emancipation: Black Americans and the End of Slavery. (Temple University Press, 2012), 130.
[3] Ibid.
[4] Laymon, Kiese. How to Slowly Kill Yourself and Others in America: Essays. (Chicago, 2013) 11-13

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